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    <ns1:title language="sr">(Ne)mogućnost uspostavljanja istine sopstva u romanima Vladimira Nabokova i Davida Albaharija</ns1:title>
    <ns2:alt_title language="sr">The (Im)possibility of True Self Formation in Vladimir Nabokov and David Albahari&apos;s Novels : doctoral dissertation</ns2:alt_title>
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    <ns1:description language="sr">U disertaciji (Ne)mogućnost uspostavljanja istine sopstva u romanimaVladimira Nabokova i Davida Albaharija primenom analitičko-sintetičke, pseudokomparativne, (Žak Lakanove) psihoanalitičke metode, razmatraju se idejno-tematskialgoritmi američkih romana Vladimira Nabokova: Bleda vatra, Stvarni životSebastijana Najta, Pogledaj Arlekine!, Prozirne stvari i romana Davida Albaharija:Pijavice, Cink, Snežni čovek, Mamac koje nauka o književnosti do nastanka ovedoktorske disertacije, označene u okviru samog ovog zapisa kao interpretativni iskaz,nije u književno-teorijskom diskursu razmatrala u (lakanovskom) algoritamskominterpretativnom kôdu.Sopstva i istine junaka američkih romana Vladimira Nabokova: Bleda vatra,Stvarni život Sebastijana Najta, Pogledaj Arlekine! i Prozirne stvariinterpretativno se razmatraju za svaki roman ponaosob jer svaki od Nabokovljevihjunaka, pripovedača postoji u mnoštvu različitih lakanovskih funkcija identiteta uzavisnosti od postavljenog (lakanovskog) algoritma narativa romana. Sopstva i istinejunaka romana Davida Albaharija: Pijavice, Cink, Snežni čovek i Mamacinterpretativno se čitaju, takođe, za svaki roman ponaosob iz razloga što svaki odnavedenih Albaharijevih romana menja uslove (lakanovskog) algoritma u zavisnosti odnarativa o identitetskom postojanju u stanju blaženog neznanja, događanja Istorijedrugima-od-sebe, identitetskog stanja neprocesuirane Traume Istorije doidentitetskog prebivanja u Stvarnosti (imaginarizacije) koja do te mere silujeImaginarno da subjekat, pripovedač biva primoran na potragu za sopstvenimidentitetskim funkcijama u egzilu-iz-sebe.</ns1:description>
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    <ns7:keyword language="sr" seq="1">sopstvo, istina, subjektivitet, identitet, funkcija, algoritam,autobiografska-metafikcija, autobiografska-istoriografija, Trauma, Gubitak.</ns7:keyword>
    <ns7:keyword language="sr" seq="1">In the dissertation The (Im)possibility of True Self Formation in Vladimir Nabokov andDavid Albahari’s Novels, by applying analytical and synthetic, pseudo-comparative and(Jacque Lacan’s) psychoanalytical methods, conceptual and thematic algorithms are beingconsidered in the novels of Vladimir Nabokov: Pale Fire, The Real Life of Sebastian Knight,Look at the Harlequins!, Transparent Things, and David Albahari: Leaches, Tsing, Snow man,Bait, and which, until the production of this dissertation marked within this record as aninterpretative statement, have not been the subject of consideration in (Lacanian) algorithmicinterpretative code within literature and theoretical discourse.The Selves and truths of the heroes in Vladimir Nabokov’s American novels: Pale Fire,The Real Life of Sebastian Knight, Look at the Harlequins!, Transparent Things are consideredinterpretatively for each novel separately, since each of Nabokov’s heroes – narrators exist inmyriad of different (Lacanian) functions of identity, depending on the set of a novel&apos;s narrative(Lacanian) algorithm. The Selves and truths of the heroes of David Albahari’s novels: Leaches,Tsing, Snow man, Bait are read interpretatively, also, for each novel separately, due to the factthat each of Albahari’s novel changes the conditions of narrative (Lacanian) algorithm onidentity existence from the algorithm of the state of blissful ignorance, the events of History toothers-than-the-Self, identity existence of non-processed History Trauma to the algorithm ofidentity existence in Reality (imaginarisation) that violates Imaginary to that extent, that thesubject is forced to seek Self-identity functions in the exile-from-the-Self. </ns7:keyword>
    <ns7:keyword language="sr" seq="1">821.111(73)-31.09 Nabokov V.(043.3)821.163.41-31.09 Albahari D.(043.3)</ns7:keyword>
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